Soulpepper Theatre Has A Mashup Royale
The Night The Great White Hope Lost It All
By Stephen Weir - Caribbean Camera
There is nothing
noble about a fistfight. Blood. Flying Teeth. Broken Ribs. Brain Damage. A new
all-Black (minus one) cast at Soulpepper Theatre says that sometimes fisticuffs
can even tear a country apart.
Royale, running until November 11th recreates the Fight of the Century. This was a historic
1910 boxing match that brought US race relations to the canvas and made a black
fighter King of the World.
You probably know Marco
Ramirez for the writing he does for TV more than for what he does for the
stage. The American has penned for some big hits including Orange is the New
Black, and the Marvel comic Netflix series, Daredevil.
Ramirez is said to
secretly love boxing because he sees it as “primal theatre”, two men stepping
into the ring, and only one coming out with arms raised in victory. In his
award winning play Royale, premiering at the Distillery District theatre, Ramirez
has mixed an almost-true-story of the “sweet sport” with the hardly-ever-true
writing style of television. Fast
scenes. Creative lighting. Women playing men. Hip Hop inspired music. And yes, buckets and buckets of implied
violence both physical and psychological.
Ramirez has written
a taut, visceral script which fantasies about the 113 year old story of the
first heavy weight championship fight between a black and a white boxer. Jack
Johnson, America’s first black celebrity fighter is about to step into the ring
with the man dubbed the Great White Hope, James L Jefferies.
Fistfights are
cut and dry affairs. You step into an alley, roll up you sleeves and have
it. Now, when it comes to championship
bouts like this one, it is really a Battle Royale. Cross-country press conferences are staged to
gin up the base. The white population is incensed that a black man is free to
fight a white. Meanwhile African Americans see the fight as a step towards
overcoming the entrenched discrimination of the Jim Crow laws.
In Ramirez’s
version of the 1910 rumble in the ring, it is Jay “The Sport” Jackson, not Jack
Johnson, who is willing to give up most of his share of the purse to fight the Great White Hope, As it was with the real
fight, Jay Jackson (played by Dion Johnstone)
faces constant discrimination, death threats and concerns about what will
happen to the African Americans if Jackson puts Jefferies down.
All of the
action takes place inside a boxing ring on stage. Most of the audience sits facing
the front, as you would at a match. However, in a nice touch by Soulpepper there
are some ringside cheap seats on each side, for people willing to sit for 90
minutes feet from the action in the ring.
Dion Johnston
and his sparing partner Fish (played by Haitian Canadian Christef Desir) put on
the gloves as they prepare for the big fight. Although no contact is made as
they jab and weave, the lighting, sound effects and body language of the
experienced actors, makes one wince in sympathy to the flurry of body blows on
stage.
Both actors are
physical fit and when they strip off their shirts and start their boxing dance
they make you believe that they are real heavy weight fighters.
It
is the electrifying Johnstone who is the knockout in this must see 90-minute
show. The 43-year
old has performed for nine years at Stratford but young audience members might
know him for his acting on Stargate SG-1. The Montreal born actor played seven
different characters on the Sci-Fi classic TV including the memorable alien
Chaka.
Just before Jay
fights the championship bout, Nina his brooding sister (played by Sabryn Rock) arrives
from Michigan to convince him to let the white boxer win.
She worries for
her children and their community because of the coming “white rage”. Jay is ready to wear the crown but is America
ready to bow down?
The audience
never sees Jay’s opponent, in fact the only white cast member is Diego
Matamoros who plays Max the fight promoter, the ring announcer and
referee. For the final tussle Sabryn
Rock portrays the Great White Hope.
The
play has gotten rave reviews, so getting advance tickets is recommended. When the Caribbean Camera attended the Friday
night performance, there was a standing ovation for the actors along with a
curtain call (which is difficult to do when there is a boxing ring to climb
into).
Think
Joe Louis, Fraser and Ali - there have been so many Fights of the Century since
1910 that the term has become a badly worn cliché. And saying that Royale is a tour de force is
also a worn out phrase. Yet, in the case
of this knockout play, it is all true!
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