Stephen Weir articles, editorials and popular social media weir postings

3 SISTERS HAVE LEFT RUSSIA FOR NIGERIA In a ground-breaking fusion of classic Russian drama and Nigerian history, Toronto's vibrant theatre scene is set to welcome a bold and innovative production presented by Soul Pepper and Obsidian Theatres on the last evening of Black History Month. A quirky adaptation of Anton Chekhov's timeless classic, "Three Sisters," will take centre-stage at the downtown Soul Pepper Theatre, reimagined as a Black version set against the backdrop of Nigeria during the Biafran War. This avant-garde production first performed in the UK four years, makes its Canadian debut tonight with the first of five previews this evening. The 4-Act play has its official opening on March 7th and closes March 24. Written by London based Nigerian poet and playwright Inua Ellams, his 4 act play promises to provide a fresh perspective on Chekhov's exploration of spiritual emptiness. and societal upheaval by transporting the narrative to a pivotal moment in Af

THREE WAYS INDO CARIBBEAN POEMS "The Tarragon’s Extra Space seats only about 100 patrons. And while they have a much larger theater in their midtown building (near Casa Loma), the size is of extreme importance to anyone contemplating seeing a new play that actually takes place in Guyana (well for part of the show). Don't think you can get away with waiting until the last minute to buy a ticket for this one! The play, "A Poem for Rabia," has its world premiere on October 25th and is already packing the theater during this week's preview performances. The piece, written by Nikki Shaffeeullah in her playwriting debut, runs in the Extra Space from now until November 12. "The play is an epic journey across time, oceans, and tectonic shifts in political history for three Indo-Caribbean women. 'A Poem for Rabia' weaves the stories of three queer women from the same bloodline: Zahra, a disillusioned activist in 2053, navigating a Canada that has just abolish

It Isn’t A Game In The Other Side Of The Game Amanda Parris Toronto fervently wishes that the name Lester Donaldson would not be spoken and that 29 years after his death the city could return to being known as Toronto The Good.   But if wishes were kittens, Amanda Parris’s debut play, Other Side Of The Game, would still be a lion’s roar against Toronto’s treatment of the Black community – from police shootings in the last century to carding in the 2000s. Lester Donaldson is a name from way back.  He was a mentally disturbed Black man who was shot dead by police in a Toronto rooming house.  It was 1988 and the community rose up and marched, shouting Lester’s name at the police and City Hall. It was the spark that lit a roman candle under Dudley Laws who shortly thereafter formed the Black Action Defense Committee (BADC). There were more shootings of innocent Black men and BADC hit back with more  and larger demonstrations and finally a riot. In Other Side Of The Game, a B

There is a Rose in this Canadian Harlem Review by Stephen Weir   Harlem Duet, currently on stage at the Tarragon Theatre is attracting much attention. It is selling out most nights of its Toronto six-week run. There is nothing new about this 21-year old drama. Certainly not with the script which was written by Guyanese/Ja maican/Canadian Djanet Sears back in 1998. Nor  is there a new message found in the plot line  of the North American Black experience. It is a story of loyalty, revenge, love, madness and, of course, racism depress ingly repeated over three  generations in Harlem and the Deep South .  Virgilia Griffith So why is Harlem Duets packing the mid-town Tarragon Theatre these days?  It is the acting – the passion that some of Toronto’s best known Caribbean Canadian actors bring to the stage in a telling of age-old social problems that still impact the community today.   The standout star is  Virgilia Griffith  (who the Camera wrote about in reviews